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Jewelry - The Royal Way of Jewelry 

Jewelry is a sign of power. The first jewelry was probably the crown and the ring for the royal seal. In our days jewelry's has a decorative function and play a religious role in case of crosses. and rings and ear rings. Made from different precious metals like gold and silver a jewelry put you in resonance with  different energies of the cosmos. Sometimes jewelry's activate occult centers of our body.
Jewelry play a role in Holly matrimony. Jewelry can help you to be conscious of your body. Chains and bracelets, numerous in hippy culture can help you to be attentive to your body , to know your self. 
In ancient culture jewelry had a direct therapeutic role, for example jewelry from cooper, gold and silver are known for their therapeutic effects. 
Jewelry was woman's ornaments, as badges and as emblems. Jewelry are made from many organic or inorganic materials and even now we have them made from leather, shells, wood, ceramics, metals like copper, gold, silver, platinum, precious or semi-precious stones and minerals.
Greek and Italian jewelry made in the period 600 BC was in great part inspired by Egyptian  jewelry and Byzantine jewelry was dominated by Christian symbols.
In Renaissance jewelry we have rich color and sculptural or even architectural design in which religious subjects were replaced by  naturalistic themes. Designs for jewelry was made by painters as Holbein , Dürer, and Cellini. 
Later in 18th century jewelry mass production was influenced by industrial development which bring new methods 
In modern times jewels are again being designed by great artists of the time like Georges Braque,  Alexander Calder and Salvador Dalí. Jewelry is now made on in an industrial scale Jewelry is now made on in an industrial scale but this remain an art and like every art is a Way to Divine. 
But now our times came with his open vision of the past and interdisciplinary  way of thinking consider any subject in a large perspective. We now understand jewelry not only from esthetic point of view but also from scientific, astrological, medical and even transcendental point of view. We realize now that gold. silver and cooper have a therapeutic effect and that in ancient times this aspect of jewelry was known. But now we came with the power of science and technology to confirm that aspect of jewelry. 
Many time in history gold, silver and copper was prescribed for health problems. Today researches in colloids discovered that topical application is one of the ways for introducing silver, gold and copper in human body. This intuition conduced ancient people to create jewelry in direct contact with human body and in important areas of the body. For the head of the state the most important jewelry was the crown and was made from gold.  And now we know that gold improve intelligence.  We know that cure means to bring pathogens in contact with gold, silver or copper particles in a short time and as long as possible.  The most practical way to accomplish this was jewelry. Particle surface area of contact  increases with increasing metal particle concentration and decreasing particle size. This can be done with colloids with little particle size and with jewelry which are in permanent contact with our skin. 
Today we discovered the structure of crystals and their therapeutic effect due to their coherent structure. Jewelry with crystals and stones seem to be the missing link with spirit. We wear jewelry to integrate with whole, to be one with cosmos, to have the divine health and not only to be pretty.  Jewelers are our wedding rings with the cosmos. Jewelers make our engagement unbreakable and our wedding with eternal forever. 



Sorinel Balan 
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History of Crystal  by: Jeffrey Levy

The history of crystal dates back thousands of years to the Mesopotamian times. Lead oxide was used to enhance the brilliance of glass as used today, but applied in differently. This was an alternate to the popular rock crystal which was more expensive, harder to cut and less refractive.

In the year 1676, George Ravenscroft revolutionized the methods of adding the lead oxide, which brought lead crystal a major step closer to it’s mass production of today.

In 1892, Daniel Swarovski invented a machine to cut jewelry stones perfectly. In 1895, he moved his company, known as Swarovski, from Bohemia to the Wattens, Austria where he used the Rhine River as a source of energy to run the company’s machinery. From here the name “Rhinestone” was born. Today the word “rhinestone” is used for leaded crystal coming from any country though.

Swarovski is the highest quality crystal stone manufacturer in the world today. Stones are made in many other countries other than Austria as well, most notably Czechoslovakia, Germany, China, Israel and others.
http://www.rhinestonejewelry.com
About The Author
Jeffrey Levy - http://www.rhinestonejewelry.com
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Don't Sell Grandma's Jewelry at a Yard Sale...What's It Worth? by: JoAnna Gilford

IDENTIFICATION

Before you can find out what a piece of jewelry is worth, you need to find out what it is. This can be as simple as turning it over and finding a maker's mark or complicated as in "hours of research". First thing first: Examine your jewelry for a maker's mark. Look on the back or on the clasp. Thoroughly examine every inch of the piece. If you see a maker's mark, start your research! Not finding a maker's mark doesn't mean it's not valuable, on the contrary; many fine pieces of jewelry were never marked. It does mean you will need to put in a little more effort in research.

If you received your jewelry from a family member, ask them about it's history. Did your grandfather give it to your grandmother right before he went off to war? Was it handed down from her mother? Answers to these questions will give you a general idea of how old it is.

Look at the style of the piece. Although many styles come back into fashion after a time, it is still possible to ID an older piece by the style and material.

Does it appear to have gemstones? Determine it they are real gemstones. You will need some sort of strong magnifying glass or ideally, a jeweler's loupe. A loupe is a small magnifying glass in various degrees of magnification. A 10X loupe should be all you need and they are relatively inexpensive. Craft and hobby stores usually sell them. Go to a well lighted place and look at the stone through the loupe. Do you see tiny bubbles in the stone? Tiny air bubbles mean it is made from glass or plastic. It's not a real gemstone. Is it open backed? Can you see the back of the stone when you turn the piece over? Does the back of the stone look shiny as in gold or silver colored foil? These are foil back rhinestones and not real gems. Foil was often added to reflect the light and create a better sparkle. Most real gems contain some type of natural inclusion. Unless you are familiar with gems and diamonds, your best bet is to take it to a jeweler or appraiser if you think it is real.

Look at the construction of the piece. This can be extremely helpful in dating a piece! Look at the clasp or pin. Are the stones individually riveted on? Is the clasp rather ornate? Does it have a layered look? What type of style is it? Does it remind you of old black and white movies? Perhaps Bette Davis or Katherine Hepburn? Does it look Victorian?

By now, you should have a general idea of age and you are ready to start your research in earnest!

RESEARCH

Head for your local library or heat up an Internet search engine! I can spend hours in my local library poring over books and books and more books. There are plenty of good jewelry reference books. Stop by your library or bookstore and check them out before buying. No sense in buying a book you will hardly use! If you choose the library, bring your jewelry with you. You can also make copies of any pages you wish to take or check out the book and bring it home. As with other research, libraries are extremely helpful. Searching on the Internet is also a quick and easy way to get fast information. Some search terms to try are:

 
maker's mark
vintage jewelry
the name of the maker's mark you found on your piece
the decade i.e. "1930's jewelry"
antique jewelry
collectible costume jewelry
This will give you hours of research and hundreds of pages to sort. Look at anything relevant, look for similar pieces or styles. Visit online vintage jewelry shops. Look for forums where you may be able to post a picture and ask for identification help.

If you love to research like I do, this is right up your alley! It can take hours, days sometimes weeks to find out about a certain piece. As you go, you will gain more knowledge about old jewelry and hopefully you will be as enchanted as many other collectors and dealers. It's a fascinating world of "junky jewelry"!

We are always here to help you with your pieces, so feel free to send us an email if you have questions.



About The Author
Junky Jewelry buys, sells and offers consignment options for vintage, antique and collectible costume jewelry. All their licenses are current in the state of FL. Receive Junky Jewelry updates and articles in their free newsletter by going to www.junkyjewelry.com.
poetsanon1@aol.com
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Forehead Jewelry is Not Anti American by: Henrietta Jacobson

March 10, 2003 --- No the Intuitive Eye (patent pending) is not Anti American. It is forehead jewelry and was inspired by Henrietta Jacobson’s practice of Kundalini yoga, which has nothing to do with Islam or the Middle East.

The word Yoga comes from the Sanskirt root "Yug" meaning to join. Yoga literally means yoke or union and speaks of the union of the individual spirit with the universal consciousness. The basic techniques evolved in the monasteries of India & Tibet over a period of thousands of years. Even though Kundalini yoga originates out of India, it was brought to America in the 60’s with Yogi Bhajan. Kundalini Yoga, the Yoga of Awareness, consists of simple yogic techniques that can be enjoyed by everyone, no matter his or her age or physical ability. It is a complete science that includes breath(pranayam), yoga postures (asanas), sound, chanting (mantra) and meditation.

It is designed to provide you with the experience of your highest consciousness through the raising of your Kundalini energy. It is like counseling through the body instead of the mind.

Americans may think if someone is wearing something on their forehead they are from the Middle East. Sikhs wear turbans but are not Islamic, Muslim or from the Middle East either. The confusion seems to come from the practice of Middle Eastern Dance or belly dancing. The title "Belly Dance" is a direct translation of Arabic "raks el-batn". Raks is to dance and batn means belly.

Most belly dancers wear headpieces and Indian & Egyptian women wear forehead jewelry. This of course has not stopped American’s from wearing belly chains and armbands or even belly rings.

So why be afraid to wear your Intuitive Eye. Teens are wearing them, brides are wearing them and women that meditate are wearing them.
Henrietta Jacobson
www.goldpenny.com



About The Author
The Intuitive Eye (Patent Pending) has become a meditation tool for some and a unique piece of jewelry for others. As a single mother Henrietta, a psychiatric nurse and pharmaceutical consultant spent 10 years raising two boys. With previous training and experience in sewing and fashion design, she had always had a passion to design jewelry. It seemed only natural once the children were grown to return to that passion. She enrolled in a jewelry design course finally ready to follow that dream.
Kundalini yoga and meditation provided the inspiration for the design of the Intuitive Eye. Kundalini yoga is a wonderful tool for enriching a woman’s life and has become an important part of Henrietta’s life in many ways. It is a type of yoga for women of all ages; it is like counseling through the body and cells instead of the thought processes to heal the mind, body and spirit.
Henrietta is currently working on a unique and full Chakra Jewelry line!
Henrietta@goldpenny.com
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How to Choose Fine Pearls by: Amanda Raab

Pearls are very alluring and hold a quality that both defines elegance and natural beauty. There are more varieties and availability of pearls today than ever before. The “cultured pearl” now rivals with fine diamonds, sapphires, emeralds, and rubies.

Today most pearls are cultured, meaning that the mollusk is purposely inserted with an irritant or “nucleus” from which it creates a pearl. A better way to think of the difference between natural pearls and cultured pearls is to think of the natural pearl as a result of the mollusk working alone and the cultured pearls as a product of nature being helped by science. Cultured pearls are not “fake” like many people may think. The culturing process takes from two to three years and is a very delicate process. The pearl farmers have little control on what the outcome of the pearl will look like or if the mollusk will reject the nucleus. Not all pearls are fine quality or even desirable at all. The end result is ultimately a consequence of nature.

Choosing pearls that are of the best quality are determined by luster, nacre thickness and quality (the outer layer), color, surface perfection, shape, and size. The biggest factor of pearl quality is nacre thickness and quality which determines how long the pearl will last. Nacre thickness determines the longevity of the pearl and nacre quality determines how light reflects through the layers of the pearls. High luster and iridescence come from high quality nacre and any pearl with these characteristics has quality, thick nacre. When judging nacre look for uniform iridescence, intensity of luster, cracks and peeling, estimate thickness near the drill hole between the nacre and the shell bead (nacre is lighter). Pearls are very thick with at least .5 mm on all pearls, thick with at least.5mm on most pearls, medium with between .35 and .5 mm on most pearls, and thin with .25 mm or less on most pearls.

Luster is also important and one of the first factors to notice. Luster is an intense brightness that illuminates from within the pearl rather than just being “shiny” like in imitation pearls. The intense brightness results from light being reflected throughout the numerous layers of nacre. Quality pearls will have a sharp contrast between the brightest area where direct light is hitting the pearls and the shaded area creating an illusion of a “ball within the pearl.” Check for luster by examining them under a fluorescent lamp and rolling them from side to side to examine uniform luster. Examine pearls over a light gray or white material and never black because it is harder to see the true quality of the pearl.

Pearl color is also important. When choosing pearls note there body color and overtones. The most desirable and more rare white pearls have “rose” colored overtones. Cream colored pearls are more affordable because they are less rare. Also, pearls can have tones rated in intensity. Darker toned pearls are more desirable and expensive compared to lighter toned pearls. Many natural body colors are available in pearls including white, black, gray, blue, gold, pink, and green. Distinctive colored pearls are rarer and harder to find. Have a qualified gemologist check the pearls to make sure they have not been dyed, especially for costlier pearls like the black or golden varieties.

Examine pearls’ surface for blemishes. Although is best to check for most pearl characteristics on a light background, it is best to check for blemishes on a dark background. Check in both intense and diffused light. No pearls are perfect and small blemishes can be sacrificed for more important quality like nacre and luster. Pearls with higher luster conceal blemishes better.

When choosing pearls also consider shape. There are three pearl shapes including symmetrical, spherical, and baroque. The spherical is the rarest and most desirable. Symmetrical pearls include teardrop or pear-shaped pearls and desirable but usually less expensive than spherical pearls. Baroque pearls are irregularly shaped and often the least expensive.

Size should also be taken into consideration. Larger cultured pearls are rarer and more expensive. Akoya pearls over 7 ½ millimeters are much more costly and prices dramatically rise with each ½ millimeter over 8 millimeters. South Sea and Tahitian pearls also have high increase in price when size is over 15 millimeters.

One more factor to consider in pearls is the precision in matching the pearl quality in a string of pearls. It is important to take all of the above factors in consideration when matching the pearls. Graduated pearls also take careful matching. Pearl matching affects the value of the jewelry because when pearls are not matched properly it takes away from the appearance of the jewelry. Also, make sure the pearls are all drilled in the center so they lay properly. Off-center drilled pearls will not lay correctly and reduces the value of the piece.

It is always important to get a independent laboratory report when in doubt of pearl enhancements that may have been employed to make the pearls appear more valuable. Make sure the person appraising the pearls is a Graduate Gemologist (GG) which is the Gemological Institute of America’s (GIA)highest award.

Other things to consider when purchasing pearls include finding out what the merchant’s return policy is. Make sure they have at least a 30-day full refund policy.



About The Author
Amanda Raab
Owner Of Pure Pearls
www.purepearls.com
Classic. Timeless. Luxury.
pearls@purepearls.com
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